Thursday throwback.

A review of The Lord of Scoundrels written by Loretta Chase in 1995.  

With all the hoopla over the Brighertons by Julia Quinn I thought I’d review one of my very favorite historical along those of Quinn’s Regencies. Boy, oh, boy! This is one of my favorite books of all time. Great hero, heroine, story, humor, romance, angst. Perfect although I really didn’t want it to end.

Chase created two of the most memorable characters I’ve ever read in the romance genre. Quite often in a romance I fall in love with the hero. Usually, I, at least, lean towards one lead character more than the other, but that didn’t happen with this one.                                                      

The characters where equally well-liked Their banter was hilarious. It was one of the best things of this book. Our hero, Sebastian, Marquess of Dain, is a half-Italian man of unconventional appearance who has been shamed since childhood on account of his unattractive nose and flighty mother who abandoned him as a little boy to go live with another man. Our heroine, Jessica is a spinster considered by many to be a bluestocking who is firmly on the shelf. In her shoes, wouldn’t you rather be a rich wife to a Marques?

I loved this story. While Dain was absolutely an alpha male, Jessica stole it for me. I loved her strength and determination. The fact that she was always one step ahead made me smile. The chemistry between Dain and Jessica is better than any other romance I’ve read, (well, besides the chemistry in Torc’s Salvation by Melany Logan) and I’ve read countless stories. Oh, and I’ve read books much more sexually explicit. The love scenes are not at all that descriptive.

Jessica Trent is one of the best heroines I’ve read of all time. Seriously, this girl is a queen. She’s sassy, and smart. Best yet, she wasn’t afraid to call Dain out. Jessica was the best and the perfect heroine for Dain.

I really enjoyed this book. Sebastian, tortured, shunned by his father. Jessica, sweet, independent, proud. The story is exceptionally well written and deserved the half dozen awards it won. Chase gave readers the kind of romance with scenes that will linger in memories long after finishing the satisfying happy ever after.

Thursday Throwback. The Kadin

A review:

The Kadin by Beatrice Small is one of my favorite books of all time and my favorite Beatrice Small book. Yes, I’ve read them all.

First published in 1978, The Kadin was Small’s debut novel. Small’s research is evident in the many details of harem life and the eastern culture. She takes the reader on a journey from the Scottish Court of James IV, through the Ottoman Empire, inside the Sultan’s harem, before concluding back in Europe in the mid-1500s. Wow!  The story is a bit epic historical fiction.

This is a classic saga of love with a Turkish sultan a popular theme in the 70s-80s.  Initially I had real problems with the polygamous relationship of a sultan. At the time of reading, I didn’t even know what “poly” meant. Seriously, I was clueless.

The teen (another of my hang-ups) Lady Janet renamed “Cyra” loved Sultan Selim despite having been kidnapped, sold into slavery, and forced to join his harem. And Selim loved her although he never hesitated to take other women to his bed. I struggled with so much of this story premise. I had to take a step back and remind myself The Kadin took place in a different time and in a land far, far away. 

Small was cool, before erotic romance was cool, but The Kadin is the most vanilla of all the Small stories. The relationship between the three ladies Cyra, Farousi, and Zuleika was completely unique, at least at the time it was written. I hadn’t read any romances where there was an equal and enduring relationship between the heroine and other women. a trio of women who forged a bond under dire circumstances and made it stick over decades through various trials. The wonderful cast of secondary characters surrounds Cyra as she takes up her role as Salim’s favorite. The ladies are dealt a horrible hand in life. Instead of wallowing in misery, they take what life dealt and they make it work for them. They carve out some happiness. That’s my kind of ladies!

It might be difficult for the reader to comprehend how Lady Janet could transform from a Christian, of Scottish noble birth, naive teen to “Cyra” who could easily accept her fate. As The Kadin continues, it is consistent with her character and her decisions to pursue the path of diplomacy. You can see it, can’t you? A wise-beyond-her-years, cunning and admirable Turkish Kadin, wife to the most powerful leader in the East.

I realize, considering the Middle East of today, romances that feature a Muslim sultan acquiring a European Christian woman to add to his harem, have lost former appeal. It wouldn’t be the fantasy of many women today. I love The Kadin for the friendship among the women. I have wondered what the story would have been if Farousi, or Zuleika had been the sultan’s favorite. Would Small have ended the story in Africa or China?  

Note: Historical data shows there was likely a million European captive slaves in the East during the late 1400s-1700s.   

Author Voice


Author voice is something many young authors obsess about. In the early days of writing, we search for the “aha moment” of discovering our unique voice. Voice is sometimes even a difficult subject for authors who’ve developed their craft. I’ll raise my hand and admit to being such an author. Although I believed my voice was clear enough for my editors to enjoy my work, I could more easily hear the voices of my co-authors and critique partners, Mechele Armstrong and Maureen Gianinio. They were unique to me and I could describe them in words, unlike my own, which I couldn’t seem to highlight. I wanted to pinpoint my own voice. I needed to be able to describe my voice as easily as I could those of my friends.

 I understood the concept of voice. Voice is everywhere in the entertainment industry with artists, musicians, directors, composers, even guitarists. Ever notice an Ann Geddes photograph? She’s got a brand, a style of her own. What about a Kim Anderson figurine? Do you have a favorite singer you’ll buy or at least recognize on the radio just from the first few strains? What about an actor? Is there an actress whose film you just have to go see? Ever notice movie directors like Alfred Hitchcock, Quentin Tarantino, Tim Burton, and Mel Brooks have a distinct feel to their movies? The placement of cameras, the position of actors, a certain light quality, etc. Who doesn’t recognize the sounds of the late great Jimi Hendrix or Steven Ray Vaughan? What about the drawn-out sultry strum of the fleet-fingered Keith Urban’s guitar playing? That style is their voice, and it’s something that makes them recognizable.

Our voice is something that sets us apart from the next author. Voice is distinctive. Voice is like your personality, or for some (like me), an alter ego personality. Anyone who knows me knows I’m bubbly and easy-going, yet my writing always has a dark quality. Style is a particular way a writer uses words or phrases in their writing. There are certain quirks or traits you take with you no matter what you do. It’s part of your personality, your voice. It’s how people recognize you. Of course, there is another part of voice that will definitely change depending on what is going on at any giving moment in a story. When I write historical romance, my voice becomes formal, while in a contemporary story it will be more laid back. A time or two my voice has been compared to that of Lori Foster and Karen Robards. Voice is something that resonates or doesn’t resonate with a reader.

I’ve heard more than one author say even if you write very different genres or under different pen-names, you carry over your voice throughout your career. So, you’re still “you” and people recognize that. I believe this. My former Ellora’s Cave editor, Nick Conrad, told me time and again that I had one of his very favorite “male” voices. Patti Steel-Perkins stated in a critique that I had a good clear voice. Roberta Brown, my former agent, echoed Patti statement that I’ve a good clear voice. And my Samhain editor, Lindsey McGurk, went a step further by describing my voice as clear, tight and fast-paced. I believe this means readers will find a lot of white space in my stories since I write heavy dialogue. And no matter the genre or theme I’m writing, my muse doesn’t spin a light-hearted romp. Instead, I write a darker atmosphere. I can’t imagine the core of my writing style changing.

The best advice I can give a budding author is to be honest in your writing. Truth is what counts, in character, in plot and everything else. Just write, write and keep writing to develop and tone your voice. Craft can be learned, while our voices just are what they are. There are no shortcuts, no workshops, no easy answers, because your voice is part of you. It’s your attitudes, the way you talk, the way you look at the world. It all comes through in your voice. Eventually, someone will say “I love your voice” and you’ll likely think, “I didn’t know I had one”. Once upon a time I sure didn’t.


Author Voice
© 2011 Melissa Lopez